Behind the Lens
Chase the conditions, capture the moment, create the emotion.
About Steve
I'm Steve, a landscape and astrophotographer based in the Sunraysia region of northwest Victoria. I've spent the last 7 years chasing light, weather, and silence across some of the most dramatic landscapes this country has to offer. My work has been featured multiple times by Nikon Australia.
My work is driven by atmosphere. I'm drawn to the moments when the landscape strips back to something raw. A supercell building over open plains, the Milky Way burning above a salt lake at 2am, first light hitting a coastline that nobody else bothered to wake up for. Whether it's violent or still, the thread that runs through everything I shoot is the same: intensity, mood, and scale.
The Sunraysia region, its storms, salt lakes, and dark skies, remains my greatest subject and the place I keep returning to.
I photograph what endures. Dead trees still standing in cracked earth. Granite boulders worn smooth over millennia. Salt lakes slowly crystallising in the heat. Storm systems that have travelled hundreds of kilometres across open plains.
My work lives in the margins of the day. The deep blues after sunset, the amber glow before a storm breaks, the cold silence of 2am under the Milky Way. I'm not interested in midday clarity. I want atmosphere. I want the moment where light has to fight to exist.
There's a solitude in these images, but it's not loneliness. It's the feeling of being the only person awake in a landscape that doesn't need you there. The land was here long before us and it'll be here long after. I just try to show up at the right moment and pay attention.
Storm
Storm chasing is where the adrenaline lives. I spend a lot of time watching weather models, reading the sky, and driving toward conditions that most people are driving away from. Chasing lightning, supercell structure, and fast-changing skies across Victoria and inland Australia. The images that come from those moments are raw, unpredictable, and impossible to replicate. Which is exactly why I love it.
Stars
Night photography is the other end of the spectrum. Long, quiet sessions under dark skies, often in remote parts of Victoria and beyond. Salt lakes, mountain country, coastal headlands. Hours of patience for a single frame. It's the complete opposite of storm chasing, but the pursuit is the same: finding the rare alignment of conditions that makes a landscape feel extraordinary.
Salt
Australia's salt lakes are some of the most surreal and underappreciated landscapes on the planet. Mirror-flat reflections, cracked earth, endless horizons. They're minimal, stark, and endlessly photogenic. I return to them again and again, in different seasons and different light, because they never look the same twice.
Land
Beyond the storms and the night sky, the Australian landscape itself is the subject. Alpine plateaus, remote ranges, and that quality of light you only find when the atmosphere is doing something strange. These are slower, more deliberate shots, less about timing and more about reading the land and waiting for the conditions to come to you.
Ocean
Coastal work is about patience and timing in equal measure. The ocean introduces variables you can't control: tide, swell, spray, wind. The light at the water's edge changes faster than almost anywhere else. Most of these shots happen in a narrow window around sunrise or sunset, when the sky and the sea are briefly speaking the same language.
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